Wuthering Heights Gothic Elements Essay

Wuthering Heights Gothic Elements Essay-17
(Great Expectations: 314) Emily Brontë presents Wuthering heights as a more stereotypically Gothic building, with a crumbling structure embellished with the ghostly faces of stone gargoyles.‘Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principle door, above which, among a wilderness of crumbled griffins and shameless little boys, I detected the date “1500”.’ (Wuthering Heights: 2) The Gothic appearance of Wuthering Heights is enhanced by the wild, misty moors that surrounds it and the knowledge that, other than Thrushcross Grange, it is almost completely isolated from the outside world in its own microcosmic environment. Google(); req('single_work'); $('.js-splash-single-step-signup-download-button').one('click', function(e){ req_and_ready('single_work', function() ); new c.

(Great Expectations: 314) Emily Brontë presents Wuthering heights as a more stereotypically Gothic building, with a crumbling structure embellished with the ghostly faces of stone gargoyles.

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Genres can be combined to create a genre with a ‘twist’, like a romantic mystery novel for example, the possibilities are nearly endless.

Overall, when looking at the five novels read over the term, there is a clear trend with the novels genres.

It can be argued that the setting of a Gothic novel is a separate character in itself, which ‘not only evokes the atmosphere of horror and dread, but also portrays the deterioration of its world.

The decaying, ruined scenery implies that at one time there was a thriving world…

But unlike many texts, Wuthering Heights and Great Expectations are not seen to be devalued and, in many ways are enhanced by the author’s use of the genre.

Both Wuthering Heights and Great Expectations can be seen to contain elements of the Gothic genre, which can stereotypically be defined by characters such as the oppressive and dominant villain and the innocent and virginal heroine; eerie, mysterious and often haunted settings and unexplainable, usually supernatural, occurrences.Now, all that lasts is the decaying shell of a once thriving dwelling.’ (De Vore)This is true of Satis house in Great Expectations which Dickens describes as, ‘[O]f old brick, and dismal … The cold wind seemed to blow colder there than outside the gate …The place will stand idle as it is till it falls.’ (Great Expectations: 41-3)This decaying state can be seen as symbolic, representing how a stationary and repetitive lifestyle, such as that of Miss Havisham’s, can be detrimental causing her life to become stagnant, ‘in shutting out the light of day, she had shut out infinitely more; that, in seclusion, she had secluded herself from a thousand natural and healing influences; that, her mind, brooding solitary, had grown diseased’.On the other hand, you could talk about how the gothic themes are crucial in the novel as it is what defines many of the characters.Heathcliff is a typical gothic character as he is complex, unpredictable and often immoral - without those gothic attributes, there would be no story.The critic Lyn Pykett discusses feminist notions of the Female Gothic being a separate and complex genre from that of the Gothic, suggesting that it simultaneously represents the fears of women and their wishes to escape from them.The heroine of the Female Gothic is said to enact fantasies of female power through the portrayal of her strong character, this can be seen in Wuthering Heights through Catherine Earnshaw and also in Great Expectations through Estella.The majority of novels read were some kind of Gothic novel: Romantic Gothic, Horror Gothic, etc.Three main Gothic novels from the term are Dracula by Bram Stoker, Wuthering Heights by Emily Bronte, and Frankenstein by Mary Shelley.Compare and contrast the function of genre in Wuthering Heights and Great Expectations.The nineteenth century is famous for many things, one of which being the Gothic revival.

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