Walter Benjamin Essay On Translation

Walter Benjamin Essay On Translation-17
We begin to see how the foreign original, whose modes of intention contradict our own, poses a challenge for our language.Translators who pay close attention to this contradiction can use it to put their own language to the test, to push its limits, even to break it.

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Basic Themes and Arguments Benjamin begins his essay by briefly distinguishing his categories from traditional aesthetic values, those of “creativity and genius, eternal value and mystery” (218).

In contrast, “Work of Art” relates these tendencies to bourgeois and fascist ideologies and to the conditions, inevitably generated out of capitalism itself, which provoke “revolutionary demands in the politics of art” (217-8).

The word-for-word rendering (which would test and even break the target language’s mode of intention, rendering the target text unreadable by the target audience) is “the arcade,” through which the original can be seen.

DISCUSSION QUESTIONS: What can Benjamin’s notion of translation reveal about the circulation of other media forms, such as TV?

In what ways do TV programs (to name one example) resemble books (or other word-based texts)?

Can we use these similarities to “translate” Benjamin to image-based texts?by Erik Larsen Introduction and Historical Information Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism.The essay is credited with developing an insightful interpretation of the role technological reproduction plays in shaping aesthetic experience; more specifically, Benjamin catalogues the significant effects of film and photography on the decline of autonomous aesthetic experience.Here the artwork’s use value was located in its central position within ritual and religious tradition (223-4).A statue or idol conveyed a sense of detached authority, or frightening magical power, which inhered in (and only in) that particular historical artifact.In what ways to TV programs (to name the same example) differ from books (or other word-based texts)?How do these differences complicate the questions Benjamin would ask about TV?(The better known version of Benjamin’s essay is “The Task of the Translator,” translated by Harry Zohn, although as Steven Rendall notes, that version contained inaccuracies.Given Benjamin’s central argument, it’s a weird case for Rendall to make.) Benjamin opens the essay with a provocative statement: “No poem is meant for the reader, no picture for the beholder, no symphony for the audience” (p. By this, he draws our attention away from the communicative function of art – the idea that art “means” something – and forces us to focus on the object itself.In “Brot” and “pain” the intended object is the same, but the mode of intention differs.It is because of their modes of intention that the two words signify something different to a German or a Frenchman, that they are not regarded as interchangeable, and in fact ultimately seek to exclude one another… 156-157) What he means by this, according to Paul de Man, is that when speakers designate something by linguistic means (or, in a larger sense, when they “intend” something by directing their attention toward it), they do so within a conceptual horizon that is shaped to a large degree by the language they speak.

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Comments Walter Benjamin Essay On Translation

  • Warning Concerning Copyright Restrictions The Copyright.
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    This work is a translation of selections from Walter Benjamin, Gesammelte Schriften, unter Mitwirkung von Theodor W. Adorno und Gershom Scholem, herausgegeben von Rolf Tiedemann und Hermann.…

  • Walter Benjamin - Wikipedia
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    Perhaps Walter Benjamin's most well known essay, "The Work of Art in the Age of Mechanical Reproduction," identifies the perceptual shift that takes place when technological advancements emphasize speed and reproducibility.…

  • Walter Benjamin, 'The Task of the Translator' - totuusradio.fi
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    Walter Benjamin, "The Task of the Translator" introduction to a Baudelaire translation, 1923; this text translated by Harry Zohn, 1968 This is taken from the anthology, The Translation Studies Reader, ed. Lawrence Venuti London…

  • Pure Language 2.0 Walter Benjamin’s Theory of Language.
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    Translation is a form” is the founding premise of Benjamin’s essay 254, by which he means to say that translation is form of artistic writing alongside poetry rather than a secondary derivative of literary art. If we merge Benjamin’s contention that translation is an art form with his later argument that the history of art forms cannot be separated from the technical standards of.…

  • The Work of Art in the Age of Mechanical Reproduction.
    Reply

    By Erik Larsen. Introduction and Historical Information. Despite its relative brevity, Walter Benjamin’s essay “The Work of Art in the Age of Mechanical Reproduction,” continues to inspire significant scholarly attention as a major work in the history of modern aesthetic and political criticism.…

  • Illuminations Essays and Reflections Walter Benjamin.
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    Illuminations Essays and Reflections Walter Benjamin, Hannah Arendt, Harry Zohn on *FREE* shipping on qualifying offers. Walter Benjamin was one of the most original cultural critics of the twentieth century. Illuminations includes his views on Kafka…

  • Are We Lost In Translation? A REVIEW OF WALTER BENJAMIN’S.
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    A REVIEW OF WALTER BENJAMIN’S ‘THE TASK OF THE TRANSLATOR’ As suggested by mangrovethroatwarbler in his comment on my second post, today I will discuss Walter Benjamin famous essay ‘The Task of the Translator’ 1923. I found it very interesting because it helped me to stand back from the translations I have reviewed in this blog but also from my own translations and to reconsider.…

  • The Task of the Translator Walter Benjamin s Essay in.
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    The Task of the Translator" Walter Benjamin's Essay in English, a Forschungsbericht Susan Ingram Just as the names and locations of the various converging two-way…

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