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As it happens, the Ireland-based studio was also responsible for producing world-class Oscar nominees “The Secret of Kells” and “Song of the Sea,” and though Nora Twomey worked on both films, “The Breadwinner” marks her solo directing debut, employing a similarly bold graphic style in its telling (“hand-drawn” via a program called TVPaint), augmented by colorful story-within-the-story interludes designed to look like stop-motion.In June 1985, National Geographic ran a portrait of an Afghan girl on its cover, her defiant green eyes gazing outward, as if challenging readers half a world away to imagine the hardships she has faced.
Parvana throughout the novel breaks the Taliban rules and laws and since those were illegal doings she has to dress up like a boy so that she can get a job to provide for her family and not be imprisoned.
Parvana is only an 11 year old girl and is fighting for her father, family, and friends.
But one day the Taliban break into their home and haul him off to prison.
With no adult male to take care of them, the family faces dire straits.
The two friends get work and soon Parvana has become the breadwinner for the family, providing them with the food and supplies they need to survive.
When airplanes begin dropping bombs on the city, the family decides they must flee.For example, though several solutions exist, we’re never quite clear what Parvana’s goal is in the film: Is it to free her father? At a certain point, Parvana seems willing to share this parallel narrative with anyone who will listen, though the meandering fable isn’t compelling enough in its own right, and really only serves to reveal the fate of her absent older brother.Meanwhile, the principal storyline (involving her living relatives) unravels a bit toward the end, as if the project may have been rushed across the finish line.Within the novel Parvana, her and her family come through a series of changes in their lives.Parvana would always assist her father at the market place because he is disabled and only has one leg. Both films use a wide color palette to create a visually stunning world matched in intricate detail to its times, whether using Celtic designs to evoke ancient Ireland or deep blood reds and dirt to convey the difficult life in modern-day Afghanistan under the Taliban.was written by Anita Doron, based on the bestselling novel by Deborah Ellis.Executive produced by Angelina Jolie, “The Breadwinner” does precisely that, and though Twomey’s essential, empathetic look into the plight of women, young and old, in present-day Afghanistan doesn’t identify its heroine as the exact same girl, her jade-colored eyes are a certain reminder, while her spirit burns every bit as strongly.Her name is Parvana (voiced with strength and conviction by newcomer Saara Chaudry), and she is allowed to visit Kabul’s market square only so long as she is accompanied by her father (Ali Badshah), a one-legged local teacher whose reverence for books upsets the militant young men — including one especially spiteful former student, hardly more than a child himself — who’ve since seized control of the region.Now, disguised as boys, they are free to explore the city and seek work — although “free” is perhaps not the right word, considering the many restrictions still in place.Anita Doron screenplay departs significantly from the version of Parvana’s story told in Ellis’ novel, and as simple and streamlined as the film manages to be at times, it lacks a certain dimension. Though visually interesting, the Elephant King interludes (elegantly designed in the style of cut-paper animation and rendered digitally on twos to suggest a human hand) tend to interrupt the overall flow.