Shelter From The Storm Essay By Bob Dylan

Shelter From The Storm Essay By Bob Dylan-52
“It’s like remembering where you were when Kennedy was shot.” Ahead of the Nobel ceremony on Saturday, we spoke with King about the impact Dylan has made on him.I must have been 14 the first time I heard Bob Dylan.

“It’s like remembering where you were when Kennedy was shot.” Ahead of the Nobel ceremony on Saturday, we spoke with King about the impact Dylan has made on him.

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It was like this pressurized dump of lyrics and images.

The line that knocked me out was “The pump don’t work since the vandals took the handle.” I mean, he just nailed it.

The song came out long after I was through college, but when I heard it, I always thought he was talking about how far a distance we go from where we started: “Some are mathematicians/Some are carpenters wives/Don’t know how it all got started/I don’t know what they’re doin’ with their lives.” There’s an extended version of Simon and Garfunkel’s “The Boxer” with the line “After changes upon changes we are more or less the same.” It’s what pop music does. You can be a little indulgent if you want.” But some of his later stuff has terrific power, like “Not Dark Yet.” I’ve never met Bob, but I had many conversations with my friend John Mellencamp about him.

And I would argue that without Dylan, Paul Simon maybe ends up in the Brill Building, writing songs like “Hey Schoolgirl” like he did in the beginning. I’ll tell you another song I’ve always loved: “Stuck Inside of Mobile With the Memphis Blues Again.” The line that always stuck with me was, “Your debutante just knows what you need/But I know what you want.” I’ve played “Desolation Row” over and over and over again. He said that Bob was at his house once and he was complaining about a toothache. He said, “Man, John, I got this terrible toothache.

The stuff that moved me wasn’t the folk stuff that had stories, like “The Lonesome Death of Hattie Carroll” or “Blowin’ in the Wind” or “Masters of War.” But “Subterranean Homesick Blues” was like poetry in the sense that it didn’t have a narrative line. The one I kept going back to was “Shelter From the Storm.” That line “ravaged in the corn” – can you imagine that on a record? And that refrain always struck me as sort of mystic: “Come in, she said/I’ll give you shelter from the storm.” That incremental repetition – I get goosebumps just thinking about it.

What it did was peel that away and leave you with pure emotion. Also on Blood on the Tracks is “Tangled Up in Blue.” I just quoted it in an essay I wrote about going to college in the Sixties. I can think of a lot of artists, like the Kinks and Van Morrison, where I like their early stuff, but then it peters off into something that feels repetitive or self-imitative. The stuff he’s doing now, like the Christmas album and the Frank Sinatra stuff, I’m like, “OK, you’ve earned it.

Augustine / I Shall Be Released / I Pity The Poor Immigrant / I Pity The Poor Immigrant / Mercedes Benz / Mercedes Benz / When I Paint My Masterpiece / Seven Days Oh, Sister / One More Cup Of Coffee (Valley Below) / Like A Rolling Stone / Leopard-Skin Pill-Box Hat / It Ain't Me, Babe / It Ain't Me, Babe / A Hard Rain's A-Gonna Fall / Isis / Lay Lady Lay / You're Gonna Make Me Lonesome When You Go / Romance In Durango / Just Like A Woman / Tonight I'll Be Staying Here With You / Tonight I'll Be Staying Here With You / Most Likely You Go Your Way (And I'll Go Mine) / Knockin' On Heaven's Door / Silver Mantis Mr.

Tambourine Man / It's Alright, Ma (I'm Only Bleeding) / Vincent van Gogh / I'll Be Your Baby Tonight / Maggie's Farm / One Too Many Mornings / Isis / Blowin' In The Wind / Railroad Boy / I Pity The Poor Immigrant / Romance In Durango / I Threw It All Away / Seven Days / You're Gonna Make Me Lonesome When You Go / Lay Lady Lay / Silver Mantis / Mozambique / Idiot Wind / Knockin' On Heaven's Door / Gotta Travel On Mr.

Visions Of Johanna / If You See Her, Say Hello / Vincent van Gogh / Weary Blues From Waitin' / I'll Be Your Baby Tonight / Maggie's Farm / One Too Many Mornings / Seven Days / Railroad Boy / Wild Mountain Thyme / Blowin' In The Wind / I Pity The Poor Immigrant / Shelter From The Storm / I Threw It All Away / Just Like Tom Thumb's Blues / Mozambique / Going, Going, Gone / Lay Lady Lay / Silver Mantis / Idiot Wind / Knockin' On Heaven's Door / Gotta Travel On Mr.

Tambourine Man / It's Alright, Ma (I'm Only Bleeding) / Vincent van Gogh / I'll Be Your Baby Tonight / Maggie's Farm / One Too Many Mornings / Seven Days / Railroad Boy / Wild Mountain Thyme / Blowin' In The Wind / Shelter From The Storm / I Threw It All Away / Tonight I'll Be Staying Here With You / Just Like A Woman / It Takes A Lot To Laugh, It Takes A Train To Cry / Mozambique / Lay Lady Lay / Idiot Wind / Knockin' On Heaven's Door / Gotta Travel On Mr.

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