Post Modern Architecture Critical Essays

Post Modern Architecture Critical Essays-47
It is characterized by the rejection of objective truth and global cultural narrative.

It is characterized by the rejection of objective truth and global cultural narrative.

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While the neatness of this summary is alluring, on the ground the reality was rather more complex.

Take Terry Farrell's TV-am building in Camden: the new studio for the the UK's first breakfast TV franchise is seen as one of the era-defining postmodern projects, reflecting the spirit of the 1980s.

After decades of being mute, architecture was allowed to speak again through color, ornament, decoration.

Postmodernism did not seek to remake the world anew, but aimed to fit in with what already existed, reveling in the moment rather than bringing about an idealized future, before eventually succumbing to bad taste, kitsch and, ultimately, rejection.

While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen as elitist.

“Far more encompassing and accepting than the more rigid boundaries of modernist practice, postmodernism has offered something for everyone by accommodating wide range of styles, subjects, and formats” (Kleiner 810).As these and other projects show, the postmodernism of the late 1970s and early 80s -- which the Sir John Soane's exhibition celebrates -- was not simply a corrective or counterpoint to modernism, but a moment when old certainties were overturned and everything became up for grabs.If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period.This all comes hot on the heels of the revival of interest in Brutalism -- another previously much maligned style, which took hold between the 1950s and 70s.Yet in many ways postmodernism was Brutalism's antithesis.Envisioned as an exhibition building and luxury apartment complex for the Guggenheim Foundation’s first museum - The Museum of Non-Objective Painting - in 1943, Wright’s remarkable artwork, located on the Upper East Side of Manhattan and overlooking Central Park, by its official opening in 1959 has developed into a permanent home to a renowned collection of Impressionist, Post-Impressionist, early Modern, and contemporary art, as well as into one of the architectural landmarks of the 20th century.Post-modernism is a school of thought or a tendency in contemporary culture which rejects modernism.There are numerous ingenious and revolutionary works that led the American Institute of Architects to distinguish Frank Lloyd Wright as the greatest American architect of all time, but among the 1141 works Wright designed during his 70 years long remarkable career, the Solomon R.Guggenheim Museum in New York City perhaps stands apart by its grandiosity, eloquence, and elegance.This set the scene for Jeremy Dixon's competition-winning proposal for the redevelopment of the Royal Opera House, which aimed for urban repair rather than architectural revolution.Critically, Dixon saw the Opera House not as a single building but as part of the city, which should have multiple faces: neoclassical to the historic market where it recreated a lost colonnade, and modern to the more recent architecture of the surrounding streets.

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