There’s also a chance that Hill simply went off the rails with this one and delivered something so wildly lurid and insane that it’s a jaw-dropper of ill-conceived bad taste. That’s certainly an achievement of in and of itself.
Either way, the flick is never boring for a second.
Following an ace assassin who is double crossed by gangsters and falls into the hands of rogue surgeon known as The Doctor who turns him into a woman. In fact, I think you described the whole thing very good. https://uploads.disquscdn.com/images/600ca8746b5dbd4b6c6b546adf11698796e78d0da640001821bfd41e7c2b6fb19 The star power associated with this film does not support that trailer. LOL But seriously, interesting premise, but that trailer makes it look like a lousy execution.
The hitman now a hitwoman sets out for revenge, aided by a nurse named Johnnie who also has secrets. Let's just hope, on the end, it will be a good one to watch, huh? 7 I wonder if it's based on this graphic novel, it seems almost identical.
5 But I did just that, Bo, I said that film itself is probably better than trailer.
Blindspotting Click Here for Thoughts Adam's Top 10 - 20181. Michelle Rodriguez stars as a transgender hitwoman, and complaints started last year from those who thought the role should've been given to an actual transgender woman. The story is actually about a male hitman who is given gender reassignment surgery as a weird revenge for a job gone wrong, and she goes back to take them out. The script was protested before production and if/when the film is commercially released, that’ll happen again.Yet, Walter Hill is also indulging in a little “cake and eat it too” nose-thumbing antics here.It’s tough to say if Hill did it all deliberately, yet it’s also equally tough to be bored by the results whether you like them or not.Michelle Rodriguez stars as the amusingly and absurdly named Frank Kitchen, an assassin for hire with no conscience and little regard for life beyond its momentary pleasures.Much of the plot is dolled out through Weaver’s villainess being prodded by psychiatrist Tony Shalhoub in a mental institution. is a film that is at once self-aware and somewhat lost.Weaver’s performance is as coldly controlled as it is hysterically arch, toying with her persona and tossing in a little Dr. She’s the best part of the film and her character’s amusingly absurd obsession with classic literature leads her to delivering a few rants about the importance of separating stories from politics in a manner that feels like Hill preaching and partially apologizing. Hill uses plenty of the comic book frame scene transitions that he added to his director’s cut of The Warriors to both acknowledge the comic book roots of the film (he published a graphic novel before production) as well as insist that this is all fictitious pulp not meant to be take too seriously.After all, he is suggesting that someone’s gender is defined by their interior more than their exterior; he just took a deliberately exploitative path to get there.As much as this movie is defined by the stripped down exploitation charms of the revenge genre, Hill also complicates the telling through varying perspectives and flashbacks.