Japanese Essay 2013

Japanese Essay 2013-43
It was like having a distant teenage crush on someone who suddenly wrote and said, “I like you, too.”The culmination of this peculiar adventure, which I had observed only from afar, occurred when Toei Studio made “Niryuu Shousetsuka: Serialist,” a film based on my book.That is to say, a Japanese movie set in Tokyo, with Japanese actors speaking Japanese, rather than my version, which features non-Japanese people and takes place mostly in Queens.Share comments on this essay at nytimes.com/magazine.

It was like having a distant teenage crush on someone who suddenly wrote and said, “I like you, too.”The culmination of this peculiar adventure, which I had observed only from afar, occurred when Toei Studio made “Niryuu Shousetsuka: Serialist,” a film based on my book.That is to say, a Japanese movie set in Tokyo, with Japanese actors speaking Japanese, rather than my version, which features non-Japanese people and takes place mostly in Queens.Share comments on this essay at nytimes.com/magazine.

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I was put up in a hotel where James Bond might have stayed, with a remote-controlled tub that filled automatically and a giant button that opened the drapes — futuristic, but a ’60s kind of future.

As requested, I put on a black suit and a tie (mind you, I can barely tie a tie, because in my real life I have no need for one) and went to the premiere, where each member of the cast, including the woman who sang the theme song, bowed and thanked me.

In Japan, strategies to end its long-term stagnation—which is referred to as the “Lost Decade” or the “Lost Two Decades”—have been widely discussed.

What innovation or industries should be fostered to stimulate the Japanese economy in the medium- and long-term and how can we achieve it?

I watched the film with her whispering in my ear: “He is the detective.” It was as if I had fallen asleep and had a weird dream about my own book. Readers admired my views on literature and my deep understanding of women — things few readers (or women) think here.

Japanese Essay 2013

At the end, when the lights came up and I stood to leave, she tapped my shoulder and pointed. I traveled everywhere with an entourage, signing books aided by two assistants, one who held the book for me, another who blotted my signature with tissue. Then I go running or out with friends, who barely ever applaud.

The novel wouldn’t even be published in English until July.

Maybe it had something to do with the international date line, the way emails from East Asia seem to come from tomorrow, but my Japanese life was clearly way ahead of my American life. At the airport, I was met by my editor and a TV crew, which, I assure you, had never happened before.

Then a Japanese translation came out, and things got strange. Apparently this was extraordinary: No one had ever won all three before.

My book won a major Japanese literary contest, which was nice. I received copies of articles, which were totally incomprehensible to me except for the picture of my face and a big No. I tried Google Translate, which rendered it all into tantalizing gibberish.

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