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Thus, though he was increasingly deaf, Beethoven began to feel sound in an entirely new way.His final string quartets—actual products of his deafness—have a reputation for a kind of profundity that few nonmusicians could describe in words.Beethoven’s music abounds in repetition, especially repetition of short, highly recognizable units. Beethoven established motives as the building blocks of his longer pieces, a process imitated by many later composers.
For most of his adulthood he experienced progressive hearing loss, as many of us do as we age.
When he wrote the Fifth Symphony, his most recognizable work, he could hear well enough to correct mistakes in the performance.
To begin with, accounts of Beethoven’s triumph are often overdone.
He did not completely lose his hearing until the last decade of his life, if even then.
When he wrote this music, Beethoven needed to augment his perception of aural cues, much as a person with progressive hearing loss might augment their understanding of speech by beginning to read lips even if they’re not conscious they’re doing so.
Another sign can be found in his pianos, which changed over Beethoven’s lifetime.Mozart had three children, and he died on December 5, 1791 at age 35.Music style Usually, people considered Mozart musical’s style was comfortable for the listener to hear, but Beethoven’s was emotional and full of strength.Indeed, he accepted it and adapted to it, and this left recognizable marks on his music.Beethoven’s manuscript of the piano sonata in E Major, Op.109, shows him creating music on paper, getting carried away with rhythmic, repetitive writing patterns that mirror the emphatic rhythms of much of his music. The most obvious answers to that question are probably wrong, or at least misleading.Beethoven wrote a lot of loud music, but for someone with hearing loss, loud music is not necessarily better. Listening to a quiet piano sonata in an environment without distractions would likely be more pleasant than hearing a dramatic symphony. Repetition is particularly important to someone who is unable to absorb everything on first hearing.But Beethoven the man was not the Beethoven of our imaginations.His story, for all its wonder, is no myth; it offers unfussy but lasting lessons about music, hearing, and disability.Be honest, I liked Beethoven’s better than Mozart, and Beethoven’s Fifth Symphony was one my favorite musical compositions, nevertheless, I still considered Mozart was one of the best musicians In the history as well.Background Beethoven and Mozart had similar musical education background.