Essay On The Love Song Of J Alfred Prufrock

Essay On The Love Song Of J Alfred Prufrock-20
He later read the poem to Ezra Pound in England and Pound arranged to have it published in the prestigious American journal Poetry in June 1915.It was included in Prufrock and Other Observations, Eliot’s first book of poetry, in 1917.Eliot is buried in Poet’s Corner of Westminster Abbey.

He later read the poem to Ezra Pound in England and Pound arranged to have it published in the prestigious American journal Poetry in June 1915.It was included in Prufrock and Other Observations, Eliot’s first book of poetry, in 1917.Eliot is buried in Poet’s Corner of Westminster Abbey.

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During this time Eliot met Ezra Pound, who became his lifelong friend and an important literary influence.

In 1915, while studying in England, Eliot met and later married an Englishwoman named Vivien Haigh-Wood.

He sought treatment at a sanitorium in Switzerland, where he completed The Waste Land in 1922.

Returning to London, Eliot became the founding editor of a new literary journal, the Criterion, in which he published The Waste Land.

Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question ... The yellow fog that rubs its back upon the window-panes.

The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep.Their marriage has generally been characterized as unhappy, troubled by Vivien’s neurotic illnesses and Eliot’s sexual apprehensions.The couple settled in London, and Eliot began teaching at a boy’s school while writing reviews for various periodicals and composing poetry.And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.In the room the women come and go Talking of Michelangelo.However, the poem moves from this specific situation to explore the peculiarly Modernist alienation of the individual in society to a point where internal emotional alienation occurs and a soliloquy in which a man speaks as if alone can begin, “Let us go then, you and I....”Eliot was born in 1888 in St.Louis, Missouri, a member of a distinguished family that included Puritan ancestors who had been original settlers of Massachusetts. He served on the staff of the Harvard Advocate, the university’s literary journal, in which he first published parts of “The Love Song of J.Five years later, he received a one-year appointment to the Charles Eliot Norton professorship at Harvard and subsequently lectured at major universities throughout the United States.Also during the 1930s Eliot began devoting much of his time to writing verse dramas.Alfred Prufrock, as he walks to meet a woman for tea and considers a question he feels compelled to ask her (something along the lines of “Will you marry me? In fact, in this poem he never arrives at tea, let alone sings to the woman.The poem is composed of Prufrock’s own neurotic—if lyrical—associations.

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