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Therefore, Glaspell simply uses the writing space to promote feminism as shown in this feministic play.
Author Susan Glaspell is no exception to this rule.
She uses her own dramatic technique in order to discuss the politics of gender, the unnoticed and repressed value of the role of women, the social and gender conventions in a male dominant society, freedom of speech, and the belief in woman's rights.
The technique she uses is the impact of being invisible.
The use of one invisible character serves well to this purpose in one of Glaspell's plays, Trifles.
The play presents men as uncouth creatures who never want peace in the house. Wright spends a considerable amount of time in the kitchen, which is a symbolic representation of marriages where most women of the time spent a significant portion of their lives.
In addition, Glaspell incorporates five people in the play, two of whom are women, a symbolic representation of women as a minority. Glaspell did not just choose to address women plight and probably suggest ways of how to overcome men dominance at a time when feminism was being rooted in the society.
Glaspell simply embraced the opportunity presented by the writing space to propagate feminism because she could reach a wider audience via writing. Wright’s intentions to kill her husband depict women oppression by men in society.
The play takes place in a cold gloomy house representing the cruelty of Mr.
However, this power comes with the assumption that women live as individuals and it is only through bonding that they can gain power, strength, and success.
Through this argument, Glaspell seeks to give women tips on how to overcome chauvinism and tame men through the power of staying together.