Edward Scissorhands Themes Essay

Edward Scissorhands Themes Essay-72
Experiencing his brand of cinema is a lot like walking into an abandoned amusement park, or a haunted carnival, or a nightmarish circus—it's entertaining—and even endearing at times, but it's also extremely dark and deeply disturbing.

Experiencing his brand of cinema is a lot like walking into an abandoned amusement park, or a haunted carnival, or a nightmarish circus—it's entertaining—and even endearing at times, but it's also extremely dark and deeply disturbing.His style is so unique that he has joined the ranks of filmmakers whose names have made the transition from moniker to adjective, like Stanley Kubrick, David Lynch, and Alfred Hitchcock.He does not need to re-explain over and over again the burtonesque features to a new crew each time.

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In terms of the narrative, Burton's films, at least from this time, tend to feature a protagonist that Brubaker calls the "heroic loner", which is quite a departure from the traditional underdog hero that was (and still is) popular in films in that Burton's heroes aren't lowly nerds that desire companionship or acceptance from others in their community.

His heroes are lowly nerds/goths/super crime fighters that are 100% happy with their lonely existence secluded from others.

He creates a dichotomy between the gothic and idyllic—the dark and the light—but since it's Burton, the darks and lights are warped by the funhouse mirror of his creativity.

In , it's between artificial leather-clad man with scissors for hands Edward and a (seemingly) artificial bubblegum pop suburban town.

It is with clever thought of the use of German expression in which Burton is able to be widely renowned as a very different director of film directing.

Characters with similar traits and lessons for the main character reappear in Tim Burton’s films, in addition, Burton tends to keep the same producing team (? This allows the familiarisation between Burton and the team, lessening the explanations and such of the layout, thoughts of the film he wants when in production.Tim Burton has a unique style and way of looking at the world.Discuss this statement in relation to at least 2 of his works.As time went on, though, Burton's style changed—it became less edgy, less dark, less gothic.Even when he I was fortunate enough, almost straight out of film school, to get to shoot the opening title sequence of Burton's Batman - he was great at giving clear feedback on how to get the right 'Burtonesque' look to that exploration around the batlogo.As a well-known phrase, “memories define a person”, Tim Burton spent much of his time in his curtain-shut room and backyard nurturing his potential as a distinctive artist and film director.Due to the occupying careers his parents led, Burton was left to develop his style later known as burtonesque, aspired by his childhood heroes Dr Seuss and Roald Dahl.There is not much colour tone aside from black and blue, attempting to draw emotions of fear from the audience.Ed’s facial expression complements the lighting well, it creates a soft shade somewhat blending his scars with the light source.Characters with certain behaviours and attitudes continuously reappear in Tim’s films, with strange yet likeable main characters.Such features are clearly displayed in ‘edward Scissorhands’ and ‘Alice in Wonderland (2009)’ His unique form of film directing and ideas correlate Burtons individualistic perspective, in which is expressed through recurring themes and German expression.

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