Critical Reading Critical Thinking Focusing On Contemporary Issues By Richard Pirozzi

Critical Reading Critical Thinking Focusing On Contemporary Issues By Richard Pirozzi-41
Hrafnhildur hlaut ásamt Kristínu Eysteinsdóttur, Norrænu útvarpsleikhúsverðlaunin fyrir úvarpsverkið „Opið hús“, verkið hlaut þriðja sæti í Prix Eruropa 2013.„Sek“ var valið í Norrænu leikskáldalestina 2014, Hrafnhildur viðurkenningu úr Rithöfundasjóði RÚV sama ár.

Grímuverðlaunin, Menningarverðlaun DV og Leikskáldaverðlaun Norðurlanda fyrir “Ég er meistarinn”(1992) – verkið hefur verið þýtt á ellefu tungumál og sýnt víða um heim.

“Hægan, Elektra” var tilnefnt til Leikskáldaverðlauna Norðurlanda 2001 og sýnt í Frakklandi 2008.

The dramatic structure merges a courtroom drama with a memory play using multiple points of view, a bit like “Rashomon”, through which the act of the crime is gradually revealed while our per- ceptions of the character motivations and the consequences to them are undergoing a blurring and shifting under the presiding judge’s questioning.

Contemporary Icelandic playwright Hrafnhildur Hagalín revisits this infamous case with , a verse play that examines issues of obsession and mercy which cling to it to this day.

Leikarapar tekst á í snörpum orðasennum þar sem tungumálið er notað til að særa og meiða, heilla og táldraga, strjúka og svíkja, elska og hata, rifja upp, rífa niður og allt þar á milli.

Hálfrímaður textinn fleytir verkinu áfram og snertir á ýmsum málefnum sem ungt fólk glímir við í dag; undir niðri kraumar ólgandi fíknarkvika, logandi ástríður, kynferðislegt markaleysi, ofbeldi, órar og spurningin um hvað sé satt, hvað sé raunverulegt, hvað sé á endanum trúverðugt. Hún lauk burtfararprófi frá Tónlistarskólanum í Reykjavík 1986 og lagði stund á frönsku og leikhúsfræði í Sorbonne-háskóla í París 1989-1992.

Jón Magnús is the Icelandic Champion of Poetry Slam and has been invitied to take part in the European Poetry Slam Competition and the World Championsip of Poetry Slam in Nottingham, England in 2019.

Black Widow and Iron Man meet on a balcony at a masquerade party and head for a dangerous game; are they friends or fows, are they lovers or adversaries – do they know each other or are they strangers?

An actor ́s couple are lost in a play within a play within a play and use brutally clever language to hurt and destroy, seduce and fascinate, love, deceive, hate and tear down.

The text is partly rhymed, like a long poem, touching some of the most important issues young people are facing today; the youngsters are torn between contrasting feelings of love, hate, sexual desire, dreams, and the eternal question about what is real and what is unreal.

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