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Thus, Oedipus' nobility derives from many and diverse sources, and the audience develops a great respect and emotional attachment to him.The complex nature of Oedipus' "hamartia," is also important.Finally, Oedipus earns royal respect at Thebes when he solves the riddle of the Sphinx.
The audience fears for Oedipus because nothing he does can change the tragedy's outcome.
Finally, Oedipus' downfall elicits a great sense of pity from the audience.
Second, Oedipus himself believes he is the son of Polybus and Merope, the King and Queen of Corinth.
Again, Oedipus attains a second kind of nobility, albeit a false one.
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The idea of hubris is monumental in a plethora of Greek mythological works.
This odd amalgam of continued suffering and closure make the audience feel as if Oedipus' suffering is his proper and natural state.
Clearly, Oedipus' unique downfall demands greater pity from the audience.
Though Sophocles crafted Oedipus long before Aristotle developed his ideas, Oedipus fits Aristotle's definition with startling accuracy.
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