Creative Script Writing

Creative Script Writing-45
And though it can be difficult to do well, a great screenplay has the power to be transformative for your viewers. A friend of mine once said that her friend had lost weight in 4 months after giving birth... There are 37 references cited in this article, which can be found at the bottom of the page.

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Occasionally they are reduced to half-size to make a small book which is convenient to read or put in a pocket; this is generally for use by the director or production crew during shooting.

Although most writing contracts continue to stipulate physical delivery of three or more copies of a finished script, it is common for scripts to be delivered electronically via email.

The format is structured so that one page equates to roughly one minute of screen time, though this is only used as a ballpark estimate and often bears little resemblance to the running time of the final movie.

The major components are action (sometimes called "screen direction") and dialogue.

The middle hole is left empty as it would otherwise make it harder to quickly read the script.

In the United Kingdom, double-hole-punched A4 paper is normally used, which is slightly taller and narrower than US letter size.

This is especially important if the script is likely to pass through the hands of several people or through the post.

Increasingly, reading copies of screenplays (that is, those distributed by producers and agencies in the hope of attracting finance or talent) are distributed printed on both sides of the paper (often professionally bound) to reduce paper waste.

Unique to the screenplay (as opposed to a stage play) is the use of slug lines.

A slug line, also called a master scene heading, occurs at the start of every scene and typically contains three pieces of information: whether the scene is set inside (interior/INT.) or outside (exterior/EXT.), the specific location, and the time of day. In a "shooting script" the slug lines are numbered consecutively for ease of reference.

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