If, for example, a spouse suspects their partner of cheating, this underlying mistrust could be the subtext for an unrelated conversation about dinner plans with their friends. Next they’ll be inviting you to a menage a trois.”She didn’t understand why he brought every conversation to sex lately. And why did he always state the obvious about her every mood and gesture?
The explains the turn the conversation takes:“The Watsons have invited us for dinner this Saturday.” She beamed.“What, again? Here, the subtext of suspicion and mistrust makes the dialogue interesting.
Her dialogue and behaviour is consistent with Estella’s backstory. ” “No.” She fired when she asked the last question, and she slapped my face with such force as she had, when I answered it. ” “I shall not tell you.”Conflict and disagreement might not be anything so dramatic as a physical altercation mid-dialogue.
Her legal guardian, Miss Havisham, once jilted by a lover, has turned the young Estella against boys and sentimentality:“Well? ” I answered, almost falling over her and checking myself. ” “Yes; I think you are very pretty.” “Am I insulting? It could be something as small as two traveling characters arguing over a map in the middle of a maze-like city.
Here are some guidelines for how to write dialogue for maximum clarity: Follow this convention because it’s all too easy to lose track of who’s saying what in dialogue. If the end of a line of dialogue is also the end of the sentence, place the period or full stop before the closing speech marks because it’s part of the rhythm of the speech. ”The voice on the other end of the line was doubtful; suspicious.
It’s part of character’s own coming to a stop (it doesn’t lie their speech):“That’s your problem,” Sarah chided, “you only ever rely on your gut.”The best policy when formatting dialogue is to check published books and compare multiple dialogue extracts. Sometimes, filler material such as an introduction between characters, is necessary.
” and the moment he said that, the stranger turned his head and looked at me.
He was a secret-looking man whom I had never seen before.
In real life, we might go weeks without a single terse or grumpy word to another person.
Yet in stories, conflict and confrontation in dialogue supply narrative tension and this keeps the story compelling.