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The hero resembles Dylan but is augmented by the experiences of mythic figures like Orpheus and Odysseus. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them.
The singer encounters bizarre figures and wanders in exile through the “Lowlands” searching for the goddess—a figure inspired by Sara Dylan, but also a composite of the White Goddess, Persephone, Eurydice, and others. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute ...
offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement.
I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of In this study, I have examined the representations of domestic workers in a number of Arabic mid-century and contemporary novels, using feminism and intersectionality as my overarching framework.
They were as strong, resilient, and brave as any man. Voltaire purposefully writes this way to switch the gender roles; to show that women could be anything a man could be. presents a sustained critique of the ways Orientalism and decadence have formed a joint discursive mode of the imperial imagination.
Attentive to historical and literary configurations of language, race, religion, and power, Fieni shows the importance of understanding Western discourses of Eastern decline and obsolescence together with Arab and Islamic responses in which the language of decadence returns as a characteristic of the West.
This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel , with particular attention to the concluding scenes.
Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different ... Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future.
Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its ...
In his article "On Imaginary Content Analogies in Musico-Literary Imitation,” Rodrigo Guijarro Lasheras analyzes "imaginary content analogy," a term often used in musico-literary studies to describe a type of imitation of music in literature.