Aesthetics Art Essay Open Studio

Aesthetics Art Essay Open Studio-47
Besides color, many who connect to my work are intuitively drawn to it by the essential magnetism of the creative force found deep in life's common core.Ultimately the visual experience for the viewer can be an emotionally heightened and lasting union with a unique kind of abstract beauty. The Creative Consciousness The creative consciousness--the more you explore it the more awake your mind becomes.This intimately personal experience passionately inspires me from within to create. Directions of what to paint surface from an inner quiet and aide me in executing the work.

Besides color, many who connect to my work are intuitively drawn to it by the essential magnetism of the creative force found deep in life's common core.Ultimately the visual experience for the viewer can be an emotionally heightened and lasting union with a unique kind of abstract beauty. The Creative Consciousness The creative consciousness--the more you explore it the more awake your mind becomes.This intimately personal experience passionately inspires me from within to create. Directions of what to paint surface from an inner quiet and aide me in executing the work.

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I marvel when I have finished a work at who/what really created it. I believe my artwork is a detailed visual record of my transformative path towards universal wholeness.

Color and line are the primary vehicles that express my emotional states which range from the powerfully exhausting to sublimely liberating.

After more time what seemed to once be uncertainty becomes a certainty in faith and trust in the truer creative process.

This intuitive/spiritual sensitivity leads the way through the creation of a work of art that hopefully touches a universal ground of communication to those that see it and experience it.

Exhibitions of art are the thin egg-shell horizon-line of a process far more complex than most people realise.

When we talk about art we mostly reference the impact that it has had after the actual engagement with it, a kind of retrospective backstory to a past experience.My awareness of being present while I work has grown considerably because of this practice.Yes I have a noisy mind too but not as much as it used to be.The traditional transparency of watercolor next to an opaque use of acrylic further enhances the variety of spacial atmosphere in the paintings.Like a visual parable I hope my art will raise the viewers interest to pause long in wonder of what they are seeing, open their heart and realize the excitement of the unknown..our shared mystery.Its' seemingly once all powerful intellect, its' emotional joy's and conflict's and its' five senses begin to lose the omnipotence they once enjoyed during the creation of a work of art.It feels like the rug is slowly being pulled out from under it's illusion of control.Self's limited faculties cloud the creative consciousness for it is already full of infinite potential and unimaginable probilities in it's clear, unified and original state.In the absence of the once domineering thoughts of what degree of transparency the paint should be, will I achieve the right luminous purple by using a carmine red with a base of thalo blue, what thickness of line, what shapes and where they will be juxtaposed to other's, what speed, direction, and size of brush stroke, how much delicate intimacy or brash explosive boldness should be used, whether to have sharply focused edges or a softly muted swathe of spacious color, how much expressed motion or stillness and how will the microstreams of water and color flood, blend or repel one another on the surface of a paper that has a pebbled texture are just some of the former considerations.This practice of quiet mindfulness can refresh the otherwise repetitive cycle of stale painting imagery.Conversely the diversity of imagery in my paintings is due to this open awareness while painting.

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